Non-Fiction
Related: About this forumLiterature that crosses the line: Cocaine in books
https://english.elpais.com/culture/2026-01-03/literature-that-crosses-the-line-cocaine-in-books.htmlLiterature that crosses the line: Cocaine in books
Since the mid-19th century, the drug has been a cultural constant, and today, reveals ego addiction in a world under the influence
NADAL SUAU
JAN 02, 2026 - 23:45 EST
In the first four pages of Roberto Savianos ZeroZeroZero (Penguin Books, 2013), an account of how cocaine rules the global economy from the criminal underworld, colonizing nearly every sphere of human existence, the author recites a very long list of people who might be doing the drug. They come from all walks of life: a teacher, your favorite writer, your neighbor, your department head, your oncologist, a family member anyone, really. To top it off, Saviano writes, But if, after you think about it, youre still convinced none of these people could possibly snort cocaine, youre either blind or youre lying. Or the one who uses it is you.
You wont forget those four pages, because theyre telling the truth.
That truth may be approached from different angles financial, therapeutic, political to understand how cocaine affects decision-making in small, private lives and in presidential offices. Theres the issue of the euphoria and the wounds the drug may be amplifying, what empires it sustains, how many heads are cut off in its name every year. And then there is the cultural perspective, of cocaine entering and exiting books, starring in them, embellishing them, stimulating, exhausting, and deforming the minds of the writers who pen them and the readers who read them. The following lines speak to this angle.
Cocaine culture
Since well before Bret Easton Ellis and his 1990s classic American Psycho, the ritual associated with snorting cocaine has constituted a fantastical visual synthesis of unrestrained capitalism. It involves a substance that looks like a pharmaceutical, placed on a surface in the form of graphic lines with the help of a credit card. We inhale through a rolled-up dollar bill. Bridging the gap between bestseller and literature (think what you will about those categories), Ellis novel, which was published in 1991, has with time become a most popular portrait of a cruel and materialist way of inhabiting the world, that of the ruling class of speculative capitalism. In its pages, violence takes the shape of gore, yes, but also that of a banal conversation, a grotesque outpouring of luxury brands (clothes, household electronics, cars) and most certainly, stunted communication. The friends of its protagonist Patrick Bateman call him a good guy. Then, he does a gram, looks at himself in the mirror, and commits murder in his high-end apartment. In American Psycho, cocaine is a source of fascination and revulsion in equal measures (although probably the best novel on the subject from the same generation is Jay McInerneys 1984 Bright Lights, Big City).
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(Oil and cocaine. Something for everyone.)
txwhitedove
(4,330 posts)from lliving with a cocaine addict is it makes them think they are the smartest person in the room, constantly juggling and moving to stay above the rest of us who realize something is very wrong...but WTF.
mwmisses4289
(3,213 posts)Sherlock injected a seven percent solution, as I recall. The author of those stories was writing in the late 1800s, when cocaine and many other drugs were considered relatively harmless.
Edited to add: I see that he does mention Sherlock. As for Stephen King, I have seen articles where has been asked if he uses, and has vehemently denied using any drugs at all, except those prescribed by his doctor.
cbabe
(6,185 posts)
Since the mid-19th century, cocaine has occupied a particular position in culture. To mention a few of most canonical, even clichéd examples of its ubiquity: Arthur Conan Doyle and Sherlock Holmes were familiar with its charms. Sigmund Freud consumed, prescribed and elaborated on it in several works, including On Cocaine. The German poet Gottfried Benn, one of the most somber voices of the interwar period, addressed the subject directly when he thanked cocaine for the dissolution of ego, that sweet, deeply longed-for state, this is what you give me. Here too are the nightmares of early Stephen King, which certainly would have been different were it not for his own enthusiastic consumption.